1984 by George Orwell


Are classic works beyond criticism? Perhaps. Since literary professors have devoted their careers to hallowed sentences, should one dare to question their opinion, with the threat of passive aggressive comments later (or is that just from fandoms)?

Yes. One should continually review and question the work of the professors, not just to discover the merits (or the conceived merits) of classic pieces, but to learn of your own stance on such controversial topics discussed.

The most notable thing that spruced from this book was the lack of tangibility concerning the characters. The protagonist, Winston Smith, had no defining traits or features, except for his rebellious streak which might not even set him out to be individual, but as one of many aspiring revolutionaries. My hope was to discover a Bonsai: a character that had been nurtured, not necessarily sheltered from action though, and cultivated into their own skin of ink and imagination. Sadly not. Driven by a desire for sex and Victory gin and not much else, Winston is a pathetic man to spend your afternoons with. When he is tortured, it’s not painful to read- unpleasant certainly- but the fires of anguish and sympathy are not ruthfully burning. You would think that Orwell would have devoted a bit more time to fleshing out, but if Winston was to be discovered on paper, it seems like paper he would remain.

English Socialism-a political philosophy

It is common knowledge that 46% of American adults cannot understand the label on their prescription medicine, so perhaps the language used in the mid-20th century would be a problem for the masses. Alas, alas, if only it were so. The writing is bland. Bland like builder’s tea (I’m much more a green tea person myself). Or cardboard. Perhaps this is the message that Orwell was trying to spread to us: we should inherently not use paper for anything like writing stories as it’ll only bore you: all theses papery references must count for something. I did count down the pages until the end which is never good a sign either.

The pace is unforgivable. My tortoise could waddle 100m faster: yes, there’s a climatic moment (Orwell was not an idiot after all) and perhaps intrigue, but generally it plopped along with an agenda that would horrify all overly zealous 3rd Grade teachers. (The  high intonations and tattooed on smiles never seem to go out of fashion in the education industry.) In fact, only a tree would grow slower than the pace. Coincidence? I think my point is proven. The arc of the plot is predictable to say the least, so it seems that there is little of interest in literary terms with 1984, except…

On the other hand (always a risky sentence starter) the ideas that are conveyed do hold significant weight. The themes of the proletariat rising to power, a theory cultivated by Marx, and their potential to do so was intriguing. At the time it must have caused the upper society to melt into enraged philosophical discussion, however today our society has evolved into something more unusual. The nature of the working classes, when nations are compared, is that they are astoundingly contrasting, so for a society like the one in 1984 to be created where the lower classes rise to power, it would have to be localised to a country or region, with people rebelling against a certain government/ specific policy. Not a worldwide movement as many people stand for many things.



There is a flaw in the argument as at the moment not only are people under different governmental regimes, which means when the proletariat united rise to power their idea  of how power should be would, realistically, differ depending on culture (so not all inherently communist), but that at the moment many people are happy with the status quo.

Jo Brand said 1984 was ‘more relevant today than almost any other book’, however I feel that whilst identity and freedom are discussed, the underlying motives of the plot are entirely mischaracterised by Brand. Of course with more digital products entering our lives, it is easier to collect personal data. So the concept or value of privacy has undoubtedly evolved, but it is not eliminated like it is the book. In 1984 people are ruthlessly violent and racism is rife towards the prisoners of war with insults breeding everywhere:​ in the age of `Generation Snowflake’, there hardly seems a time where people are more emotionally protected or more sheltered from raw comments. But perhaps because now more than ever, they have to be.

Lies we tell ourselves by Robin Talley

An eloquent, impressive and poignant novel about the integration of black students into the previously segregated Jefferson High, Virginia, 1959.

lies we tell

Sarah is one of the ten black students starting at Jefferson High this year; after years of persistent battling in court, she’s finally going to get the best education possible. But the abuse she and her friends receive when they start is overwhelming, and they all feel a wave of despair when it doesn’t even start to cease. And then Lindsay Hairston catches Sarah’s eye. The daughter of the state’s most influential pro-segregation journalist, and Sarah can’t stop thinking about her. And now Sarah isn’t only afraid of what society will think of this aching desire, as tendrils of disgust and fear are already writhing around her own heart. Because not only is she afraid of everyone’s opinion, but startlingly, she’s frightened of what she is feeling, too.

Firstly, this is a novel which admirably recreates and explores the racial tension that society strongly felt at the time. It is an arduous topic to write about, especially to such high standard, so that Talley deserves credit for that. But occasionally I felt that the plot became slightly flat because Talley got so caught up in the issues she was writing about, that there was less of a drive in certain parts of the novel. It is told from the alternating viewpoints of Sarah and Lindsay, which enhanced the novel because it was useful to see the contrast between the two characters’ lives.

Sarah, the protagonist, is a resilient, intelligent and kind character, which is fortunate for her, because everyday at school she faces physical and mental abuse. In fact, soon after you pick up the novel, you will find yourself cheering for Sarah as she starts to forge her own destiny out the prejudices she faces.

The title is smart; it relates to the rest of the novel because every chapter title is a lie; the lies the various characters tell themselves. I thought that this was a clever touch because often the title of a novel is seemingly irrelevant, detached to the actual content of the novel that follows. On the other hand, there was one major fault; eventually, the chapter names became increasingly similar, to the point of sharing the same meaning with previous titles i.e ‘Lie no. 11 If I keep pretending everything will be alright’ and ‘Lie no. 15 Pretending will make this go away’ or “lie no. 17 I give up” compared with “Lie no.19 There’s no use fighting”. I understand that at one point there will only be a limited amount of options, but I doubt that it is not so limited that there is a lack of variation in this when performing this smart idea.

The themes in this novel are obviously racial tension and violence, (as there are several aggressive episodes in towns and public places throughout the novel where the black and white students are locked in confrontation), and then, there is LGBT+, as Sarah finds herself falling in love with Linda. Truth be told, I was disappointed with this aspect of the novel; admitted, there were instances when thoughts were uncovered showing that they both had feelings for each other, but there were only a few romantic moments, and most of the romance was lost in the  violence towards the end, or two characters lamenting about how sinful and evil they both apparently felt they were. I wasn’t convinced in the end that they were going to become an interracial lesbian couple because there were only a few instances where they honestly faced their feelings.

This novel is great if you have an interest in civil rights, or historical YA fiction. This topical novel is definitely one to watch, and overall is a great debut! Also, please note that this appeared first on the Guardian’s site. So have you read this novel? What did you think of it?