June Book of the Month- Grief is the thing with feathers-Max Porter

Crows

A pocket-sized explosion of character and immense profundity.

Porter create separate strands of perspective using multiple points of view, which help form a precise map of emotion concerning the aftermath of a women’s death. It weaves a journey through the characters’ catharsis, too.

This isn’t a dazed process though: grief is personified as a crow. A whimsical and fantastical idea, as Crow contrasts the moping father by inserting humour into the piece, especially when he becomes borderline hyper-emotional:

 “The whole city is my missing her. Eugh, said Crow, you sound like a fridge magnet.”

Crow adds a technicolour aspect to the novel, with his attitude to the suffering family of sons and father offering a fresh view of what grief truly is.

The father, a Ted Hughes’ scholar, awkwardly straddles his new-found parental responsibilities over his two sons by ignoring them completely, his sons gently breaking the rules for the sake of it. There are nights of numbness, lasagne, easy laughter because they managed to forget, forget that the hole burnt in their lives by loss exists and should be suffocating them.

The boys are never separated. They remain always identical, similar to A.A.Gill when he referenced the Twins. Although they have different opinions, floating across the page with lyrically, they are always referred to as one. Like youth in many situations, they aren’t indifferent, but more indifferent in an aching way. They don’t linger on the event, but steely smile on, brushing aside their father’s solemn outlook on life.

The concept of metaphorizing an emotion is simply an idea which I believe we all wish we came up with ourselves. It is written in the style of a continuous poem, with the imagery created outstanding and resulting in an ethereal engagement in the text on the reader’s behalf. Presented in the style of snippets of babbling thoughts, poignant reflections and fragmented memories, the brief novel consumes the themes of realisation and sadness beautifully, deserving to be absorbed by all.

 

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When We Collided by Emery Lord

This novel is a classic summer love story with a difference; not only does contain moments of unrivalled hilarity and it’s counterpart bitter sadness, but it stars two damaged teenagers struggling to face their scarred past in a demanding, unforgiving world.

when we collided

It is finally Summer again, and Vivi is new to Verona Cova, and is a vacationer, as they are known to the townies (the people who live in Verona). Whilst working in a pottery shop, Vivi, a burst of colour who refuses to be tied to reality by her medication, comes across Jonah and his younger sister. Jonah is a slowly recovering; his father recently died, leaving his mother to recoil into encompassing grief, and now rarely leaves the safety of her bedroom. Chirpy and energetic though he may seem, Jonah feels excruciatingly weary from the strain of now sharing the role being the parent, and looking after his other siblings , especially since he is only 17. So when he meets Vivi, he is fascinated by her optimistic take on the universe, flamboyant nature and creative ecstatic mind. And Vivi loves how Jonah cares for his younger siblings, and his tender, thoughtful nature. But they belong on different planets; Vivi is a dreamer and can never be pinned down, whilst Jonah is always trying to be responsible, always trying  do the right thing. So when the two planets so different collide, it is clear that this inexplicable attraction between them will have consequences. But to what extent?

I thought that the title was a shame because it does not reflect the novel honestly enough to do it justice! In some ways, the title is completely irrelevant, because it is never referred to once in the novel, and to add to that, it is cliche! Every other love story has a slightly metaphorical, romantic sounding name like that, so the title in my opinion drags the novel down instead of exalting it, which is a shame because I love the novel and I think that it deserves better.

The novel is written in the contemporary style of alternative points of view, switching between the two protagonists Vivi and Jonah.  I adored the novel and thought that it was fantastic until I reached roughly second half; then it became saturated with the details of Vivi’s bipolar disorder: there were some awesome sentences in the first half, where I thought that the imagery created was incredibly strong, even for the such abstract ideas mentioned, but as I neared the end of this novel, this writing flair displayed earlier quickly dissolved, as Lord tried to handle everyone’s reaction to her disorder. Having said that, you will fall in love with the essentially flawed characters as they try and navigate themselves through their darker times, and always try to find that the perspective of hope wherever they go.

It was a fairly typical plot ( wild girl + good boy= fun filled summer), so nothing completely revolutionary will take place, but the characters were developed enough, and the plot was well written, so despite not being ground-breaking, it is definitely worth a read (if you are interested in this side of YA literature). Also, it wasn’t the fact that Vivi was bipolar that set this novel apart, because increasingly there are characters with mental illnesses featured in novels, but the quirk of Vivi loving the whole of Jonah’s family, not just him exclusively, which evolved this love story to becoming much more exclusive.  Aside from that, it was slightly unoriginal, it must be said (e.g skinny dipping happens in most of these types of novels, ice creams on the beach, sneaking into rooms…).

This novel is perfect for a relaxing holiday read, where you can sink into the romance, sea and sunshine, particularly as it is not an overly taxing mentally. I would recommend that the target audience for this novel be teenagers.